Harry Potter: The Entire 8 Film Collection [Blu-ray] (2011) review

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Harry Potter as well as the Sorcerer's Stone
Here's an event movie that holds as much as becoming an event. This filmed version of Harry Potter and also the Sorcerer's Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings alive Harry Potter's whole world of Hogwarts, the school for young witches and wizards. The greatest strength of the film comes from the faithfulness to the novel, this also new cinematic world is filled with all the facts of Rowling's imagination, thanks to exuberant sets, elaborate costumes, clever makeup and visual effects, and a crème de la crème cast, including Maggie Smith, Richard Harris, Alan Rickman, and more. Especially fine may be the interplay between Harry (Daniel Radcliffe) and his schoolmates Ron (Rupert Grint) and Hermione (Emma Watson), as well as his protector, the looming Hagrid (Robbie Coltrane). The second-half adventure--involving the titular sorcerer's stone--doesn't translate perfectly from page to screen, ultimately because from the film's fidelity for the novel; this is really a case of developing a movie to the book's fans, as opposed to a transcending film. Writer Steve Kloves and director Chris Columbus maintain the spooks in check, making vid true family film, along with its resourceful hero wide-eyed and ready, one can't await Harry's return. Ages 8 and up. --Doug Thomas

Harry Potter and the Chamber of Secrets
First sequels would be the true test of an enduring movie franchise, and Harry Potter and also the Chamber of Secrets passes with flying colors. Expanding upon the lavish sets, special effects, and grand adventure of Harry Potter and the Sorcerer's Stone, Harry's second year at Hogwarts School of Witchcraft and Wizardry involves a darker, more malevolent tale (parents with younger kids beware), beginning using the petrified bodies of several Hogwarts students and magical clues leading Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) with a 50-year-old mystery inside monster-laden Chamber of Secrets. House elves, squealing mandrakes, giant spiders, and venomous serpents populate this loyal adaptation (by Sorcerer's Stone director Chris Columbus and screenwriter Steve Kloves), and Kenneth Branagh delightfully tops the supreme supporting cast as the vainglorious charlatan Gilderoy Lockhart (be sure to look at at night credits to get a visual punchline at Lockhart's expense). At 161 minutes, the film suffers from not enough depth and uneven pacing, and John Williams' score mostly reprises established themes. The young, fast-growing cast offers ample compensation, however, as does the late Richard Harris as part of his final screen appearance as Professor Albus Dumbledore. Brimming with cleverness, wonderment, and big-budget splendor, Chamber honors the legacy of J.K. Rowling's novels. --Jeff Shannon

Harry Potter as well as the Prisoner of Azkaban
Some movie-loving wizards should have cast a magic spell on Harry Potter as well as the Prisoner of Azkaban, because it's another grand slam for that Harry Potter franchise. Demonstrating remarkable versatility following your arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts School of Witchcraft and Wizardry face a fresh and daunting challenge: Sirius Black (Gary Oldman) has escaped from Azkaban prison, and then for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many people to become the best inside the series), he's after Harry in the bid for revenge. This dark and dangerous mystery drives the experience while Harry (the fast-growing Daniel Radcliffe) with his fantastic third-year Hogwarts classmates uncover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), along with the wonderful good thing about using a Time-Turner just if you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), as well as Julie Christie joins this prestigious production for any brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's boundless imagination (loyally adapted by ace screenwriter Steve Kloves), The Prisoner of Azkaban can be a Potter-movie classic. --Jeff Shannon

Harry Potter as well as the Goblet of Fire
The latest entry within the Harry Potter saga could possibly be retitled Fast Times at Hogwarts, where finding to start dating ? to the winter ball is nearly as terrifying as worrying about Lord Voldemort's return. Thus, the young wizards' entry into puberty (and discovery in the opposite sex) reveals a rich mining field to balance out the dark content inside the fourth movie (and the stories are merely gonna get darker). Mike Newell (Four Weddings as well as a Funeral) handily takes the directing reins and eases his young cast through awkward growth spurts into true young actors. Harry (Daniel Radcliffe, more absolutely clear on himself) has his first girl crush on fellow student Cho Chang (Katie Leung), and has his first big fight with best bud Ron (Rupert Grint). Meanwhile, Ron's underlying romantic tension with Hermione (Emma Watson) comes to a head in the winter ball, then when she makes considered one of those girl-into-woman Cinderella entrances, the boys' reactions indicate they've all crossed a threshold.
But don't worry, there's lots of wizardry and action in Goblet of Fire. When the deadly Triwizard Tournament is hosted by Hogwarts, Harry finds his name mysteriously submitted (and chosen) to compete against wizards from two neighboring academies, as well as another Hogwarts student. The competition scenes are magnificently shot, with much-improved CGI effects (particularly the underwater challenge). And the climactic confrontation with Lord Voldemort (Ralph Fiennes, in the brilliant bit of casting) could be the most thrilling yet. Goblet, the first installment to acquire a PG-13 rating, contains some violence at the identical time as disturbing images for kids plus some barely shrouded references at sexual awakening (Harry's bath scene in particular). The two 1/2-hour film, lean considering it came from a 734-page book, trims out subplots about house-elves (they're not missed) and gives little screen time for the standard crew in the other Potter films, but adds in more of Britain's finest actors on the cast, including Brendan Gleeson as Mad-Eye Moody and Miranda Richardson as Rita Skeeter. Michael Gambon, in the second round as Professor Dumbledore, still hasn't brought audiences around to his interpretation from the role he took over after Richard Harris died, but it is a small smudge in a otherwise spotless adaptation. --Ellen A. Kim

Harry Potter along with the Order with the Phoenix
Alas! The fifth Harry Potter film has arrived. The time is long past until this can be considered a fairly easy "children's" series--though adults and children alike will enjoy it immensely. Starting off from your dark and tragic ending of the fourth film, Harry Potter and the Order of the Phoenix begins in a very somber and angst-filled tone that carries from the entire 138 minutes (the shortest of any HP movie despite being adapted in the longest book). Hopes of winning the Quidditch Cup are already replaced by woes like government corruption, distorted media spin, as well as the casualties of war. Since the themes have matured, so have the primary characters' acting abilities. Ron (Rupert Grint), Hermione (Emma Watson), and particularly Harry (Daniel Radcliffe) will be more convincing than ever--in roles that are more demanding.
Harry is deeply traumatized from having witnessed Cedric Diggory's murder, but he has decided to find this was only another chapter in the continuing loss he will endure. Lord Voldemort (Ralph Fiennes) has returned and, in a make an attempt to conceal this catastrophe from your wizarding public, the Ministry of Magic has teamed up with the wizard newspaper The Daily Prophet to smear young Potter and wise Dumbledore (Michael Gambon)--seemingly the only real a couple inside public eye who believe the Dark Lord has returned. With nobody else to square contrary to the wicked Death Eaters, the Hogwarts headmaster is forced to revive his secret anti-Voldemort society, the Order in the Phoenix. This welcomes back characters like Mad-Eye Moody (Brendan Gleeson), kind Remus Lupin (David Thewlis), fatherly Sirius Black (Gary Oldman), and insidious Severus Snape (Alan Rickman), and introduces a short list of intriguing new faces. In the meantime, a semi-psychotic bureaucrat through the Ministry (brilliantly portrayed by Imelda Staunton) has seized power at Hogwarts, and Harry needs to form a secret society of his own--lest another young wizards at his school end up ill-equipped to defend themselves in the looming war between good and evil. In addition, Harry is filled with an inexplicable rage that only his Godfather Sirius seems being in a posture to understand.

This film, though not as frightening as its predecessor, earns its PG-13 rating mostly because in the ever-darkening tone. As always, the loyal fans of J.K. Rowling's books will be affected huge cuts in the original plot and character developments, but make no mistake: this is often a good movie. --Jordan Thompson

Harry Potter and the Half-Blood Prince
The sixth installment in the Harry Potter series begins right where The Order with the Phoenix left off. The wizarding world is rocked through the news that "He Who Must Not Named" has truly returned, along with the audience finally knows that Harry is "the Chosen One"--the only wizard who are able to defeat Lord Voldemort inside the end. Dark forces loom around every corner, now regularly try to penetrate the protected walls of Hogwarts School. This is no more the fun and fascinating arena of magic from your first couple of books—it's dark, dangerous, and scary.
Harry (Daniel Radcliffe) suspects Draco Malfoy (Tom Felton) to be a fresh Death Eater recruit over a special mission for the Dark Lord. In the meantime, Professor Dumbledore (Michael Gambon) seems to get finally removed the shroud of secrecy from Harry concerning the dark path that lies ahead, and instead provides private lessons to get him prepared. It's in these intriguing scenes the dark past of Tom Riddle (a.k.a. Voldemort) is finally revealed. The actors cast because the different young versions of Riddle (Hero Fiennes-Tiffin and Frank Dillane) do an eerily fantastic job of portraying the villain as a child. As the previous movies' many new characters could be slightly overwhelming, just one new key character is introduced this time: Professor Horace Slughorn (with a spot-on performance by Jim Broadbent). Within his mind he holds an important secret within the battle to defeat the Dark Lord, and Harry is tasked by Dumbledore to uncover a memory about Voldemort's darkest weapon--the Horcrux. Despite the long set of distractions, Harry, Ron (Rupert Grint), and Hermione (Emma Watson) still make an attempt to target being teenagers, and audiences will benefit from the budding awkward romances. All with the actors are suffering from nicely, giving their most convincing performances to date.

More dramatic and significant things decrease within this movie than any of its predecessors, as well as the stakes are higher than ever. The creators are already tasked using a practically impossible challenge, as fans of the beloved J.K. Rowling book series desperately want the flicks to capture the special moment in the books as closely as possible. Alas, the point at what one accepts that these two mediums are very different is the point at which can truly enjoy these brilliant adaptations. Harry Potter and the Half-Blood Prince is not any exception: it could possibly be the best film yet. For those who never have browse the book, nail-biting entertainment is guaranteed. For people who have, the film should it justice. The main element dramatic scenes, like the cave along with the shocking twist in the final chapter, are executed very well. It does the perfect job of setting up the two-part grand finale that is to follow. --Jordan Thompson

Harry Potter and the Deathly Hallows, Part I
Harry Potter along with the Deathly Hallows, Part I is really a brooding, slower-paced film than its predecessors, the effect of being just 1 / 2 with the final story (the last book inside the series was split into two movies, released in theaters eight months apart). Because the penultimate film is buildup prior to final showdown relating to the teen wizard as well as the evil Voldemort (which does not occur until The Deathly Hallows, Part II), Part I is a road-trip movie, a heist film, a large amount of exposition, plus more weight on its three young leads, who up until now were sufficiently supported by strategy for a revolving door of British thesps throughout the series. Now that most the experience occurs outside Hogwarts--no more Potions classes, Gryffindor scarves, or Quidditch matches--Daniel Radcliffe (Harry), Emma Watson (Hermione), and Rupert Grint (Ron) shoulder the film almost entirely on his or her own. After a near-fatal ambush by Voldemort's Death Eaters, these set about a quest to discover and destroy the remaining five horcruxes (objects that store bits of Voldemort's soul). Fortunately, as the storyplot gets more grave--and parents needs to be warned, there are a few scenes too frightening or adult for young children--so does the intensity. David Yates, who directed the Harry Potter films Order with the Phoenix and The Half-Blood Prince, drags the 2nd half a little, but right along by incorporating of the slower moments are a handful of touching surprises (Harry leading Hermione inside a dance, the return of Dobby in the totally non-annoying way). Deathly Hallows, Part I will be probably the most confusing for all those not familiar using the Potter lore, particularly within the shorthand way characters and terminology weave in and out. For the others of us, though, watching these characters in the last decade and saying farewell to your few faces makes all this bittersweet how the end is near (indeed, an earlier scene in which Hermione casts a spell which makes her Muggle parents forget her existence, in the event she doesn't return, is specially emotional). Despite its challenges, Deathly Hallows, Part I succeeds in how it is most designed to do: whet your appetite for that grand conclusion towards the Harry Potter series. --Ellen A. Kim

Harry Potter along with the Deathly Hallows, Part II
The Deathly Hallows: Part 2 could be the film all Harry Potter fans have waited 10 years to see, and also the good news is it's definitely worth the hype--visually stunning, action packed, faithful towards the book, and mature not just in its themes and emotion but within the acting by its cast, a few of whom had spent half their lives making Harry Potter movies. Part 2 cuts right to the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one in the three objects required to give someone control of death (a.k.a. the Deathly Hallows), with all the intent to hunt and kill Harry. Meanwhile, Harry's quest to eliminate the rest from the Horcruxes (each containing a little bit of Voldemort's soul) leads him first to a thrilling (and hilarious--love that Polyjuice Potion!) trip to Gringotts Bank, then time for Hogwarts, when a spectacular battle pitting the young students and professors (a showcase of the British thesps who have stolen every scene with the series: Maggie Smith's McGonagall, Jim Broadbent's Slughorn, David Thewlis's Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with far less crazy eyes to generate this round). As predicted all through the entire saga, Harry even offers his final showdown with Voldemort--neither can live while another survives--though the physics of the predicament might need a group of crib notes to explain. But while each installment is now progressively grimmer, this finale is the most balanced between light and dark (the dark is fairly dark--several familiar characters die, with one significant death particularly grisly); the humor is sprinkled in in the most welcome times, thanks for the deft adaptation by Steve Kloves (who scribed all only one from the films from J.K. Rowling's books) and direction by four-time Potter director David Yates. The climactic kiss between Ron (Rupert Grint) and Hermione (Emma Watson), capping off a decade of romantic tension, is perfectly tuned with their idiosyncratic relationship, and Daniel Radcliffe has, within the last decade, certainly proven he was the right kid for that job all along. As Prof. Snape, essentially the most perfect of casting choices inside best-cast franchise of all time, Alan Rickman breaks your heart. Only the epilogue (and the insufficient chemistry between Harry and love Ginny Weasley, barely present here) stand a little shaky, but no matter: essentially the most lucrative franchise in movie history to date has just reached its conclusion, and it is succeeded in doing so without losing its soul. --Ellen A. Kim

Studio: Warner Home Video Release Date: 11/11/2011