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Will Smith stars inside the third adaptation of Richard Matheson’s classic science-fiction novel about a lone human survivor inside a post-apocalyptic world dominated by vampires. This new version somewhat alters Matheson’s central hook, i.e., the startling idea that an ordinary man, Robert Neville, spends his days roaming a desolated city and his nights in the house sealed faraway from longtime neighbors who have become bloodsucking fiends. In the newest film, Smith’s Neville is often a military scientist faced with locating a cure for any virus that turns people into crazed, hairless, flesh-eating zombies. Failing to finish his work in time--and after enduring your own tragedy--Neville finds himself alone in Manhattan, his natural immunity on the virus keeping him alive. With an expressive German shepherd his only companion, Neville is really a hunter-gatherer in sunlight, hiding from your mutants at night as part of his Washington Square town house and methodically conducting experiments in his ceaseless quest to conquer the disease.
The film’s first half almost suggests that we Am Legend could be one with the finest movies of 2007. Director Francis Lawrence’s extraordinary, computer-generated images of an decaying Ny City reveal weeds growing through the cracks of familiar streets that may also be overrun by deer and prowled by lions. It’s impossible not being interested in a real realistically altered cityscape, reverting to a natural environment, whereby Smith moves having a weirdly enviable freedom, offset by his wariness over whatever is lurking in the dark of bank vaults and parking garages. Lawrence and screenwriters Mark Protosevich and Akiva Goldsman wisely build suspense by withholding images with the monsters until a peak scene of horror well in the story. It must be said, however, how the computer-enhanced creatures don’t look half as interesting while they could have had the filmmakers adhered more to Matheson’s vampire-nightmare vision. We Are Legend is ultimately noteworthy for Smith’s remarkable performance being a man so lonely he talks to mannequins inside the shops he frequents. The film’s latter half goes too far in portraying Smith’s Neville being a pitiable man having a messianic mission, but this lapse into bathos does nothing to take away in the visual and dramatic accomplishments of their first hour. --Tom Keogh
Robert Neville is a brilliant scientist, but even he can't contain the terrible virus that has been unstoppable, incurable, and man-made. Somehow immune, Neville is currently the past human survivor with what is left of New York City and maybe the world. For three years, Neville has faithfully mailed daily radio messages, desperate to locate any other survivors who might be out there. But he could be not alone. Mutant victims in the plague -- The Infected -- lurk inside shadows... watching Neville's every move... looking forward to him to generate a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a method to turnaround for the effects with the virus using their own immune blood. But he knows he is outnumbered... and quickly running from time.

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